giovedì 29 dicembre 2011


Cita è morta ieri a ottant'anni. Era in pensione da quando ne aveva trenta. Ha trascorso cinquant'anni dipingendo, suonando il piano e ascoltando musica sacra.

martedì 20 dicembre 2011 "Lavoro in Italia"

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The 3rd Letter (Trzeci List - napisy PL)

The 3rd Letter (Trzeci List - napisy PL) from grzegorz jonkajtys on Vimeo.

The 3rd Letter Runtime: 15min. Presented by Marauder Film Directed by Grzegorz Jonkajtys Written by Grzegorz Jonkajtys & Bastiaan Koch Produced by Bastiaan Koch FEATURE FILM package available upon request from: Official website: Grzegorz Jonkajtys: Production Company: Awards: Best Director Prize: HollyShorts, Los Angeles, 2010 Best of Show Jury Award: Nevada City Film Festival 2010 Audience Award: Maelstrom Seattle Film Festival 2010 Official Selection: Sitges Film Festival 2010 Sound Design by Andrew Duncan: Original Score by Audrey Riley & Shot on the Canon 5D MarkII (Copyright 2011, All rights reserved; Marauder Film LLC)

sabato 10 dicembre 2011

WIRED MAG NEWS È lui l'uomo dell'anno Wired Motivazione: il presidente della Repubblica Giorgio Napolitano ha dimostrato negli ultimi 12 mesi una sorprendente velocità nel rimanere collegato alla realtà. In una parola: wired

The Beauty of Mud (4000 fps) by David HJ. Lindberg

The Beauty of Mud (4000 fps) from David HJ. Lindberg on Vimeo.

Phantom camera: $100000 VS. Canon 550D T2i: $760 I used a Canon 550D T2i to create a Phantom camera look, but with a much lower budget. All I used was my 550D, my lens and Twixtor. Of course the Phantom camera makes better results, but compared with the prices, I think Twixtor is totally worth a try. Camera: EOS Canon T2i/550D Rebel Lens: Canon EF 50/1,8 II Music: Ludovic Einaudi - Oltremare Thanks to: Samuel Lindberg 60 fps converted to 4000 fps in Twixtor. Shutterspeed: 1/4000

mercoledì 7 dicembre 2011

Tiny London

Tiny London from Mario Muth on Vimeo.

So, how did Mario do this? Mario sent us this bit of instruction: each clip is shot using raw images. I use the small or the medium raw in case I need to crop in the picture profile was set to sharp and saturated the actual capture is done by holding down the shutter using a remote for 5 minutes (using burst mode) in terms of positioning, obviously anything that is looking into a scene works and def a sturdy tripod for post, I read everything into Adobe After Effects and in camera raw push up the saturation, the sharpness, clarity and in most cases fill light. In addition I tend to push the blues, reds and greens further. Finally, I add a little bit of lowlight saturation the clips are done at 12fps as the Canon EOS 5D Mark II only manages to capture 3fps in raw in burst mode in terms of size i go for 30% bigger so I can add a ken burns style finally masking the sharp areas and lens blur the rest. For the masks, I include all the items that should be sharp in the perspective. the actual movie was done in fcp 7 as I am most familiar with that. Adding a few ken burns effects and doing alignment with the music finally a vignette from magic bullet to underline the miniature look